(long song) most popular shamisen music which is reached a golden age in the first half of the 19th century as dance music for the henge mono or quick change pieces
NAUGATA
an integral part of every performance
MUSIC
chant derives from shomyo, the sophisticated and rich tradition of Buddhist chanting.
No
higher sound key.
ERH-HUANG
two- stringed fiddle.
REBAB
cross flutes (usually played along with singing).
*****
a small and large gong and cymbals that begins the Peking Opera.
TALO AND SIAGLO
similar to lute with four strings.
PI-P'A
a technique which is commonly used for sorrowful songs, and is only sung by bearded characters.
FAN-PAN
recorded flutes (usually played along with singing).
SIAO
lower sound key.
HIS-P'L
Puppet on the left side signifies
BAD CHARACTER
Single inverted bronze bowl.
KENONG AND KETUK
Flute
SULING
are drugs non-drug-users might try out and can lead to trying more dangerous ones.
GATEWAY DRUGS
set of bronze bowls.
BONANG
accompanied the dances and movements which collected and popularized a number of aspects from all previous forms of Japanese music.
SHAMISEN MUSIC
was performed in royal court and widely performed in public on religious occasions so that knowledge of wayang became widespread among all classes in Java.
WAYANG KULIT
classic court music imported from China during the 18th century.
GAGAKU
horizontal drum beat with the fingers on both ends.
KENDANG
vulnerable because they are curious and risk takers
TEENAGERS
performed in Shinto shrines.
KAGURA
trumpet announces prosperous occasions.
SONA
xylophone of heavy bronze bars.
SARON
hanging gongs.
GONG AND KEMPUL
accompanied the dances and movements which collected and popularized a number of aspects from all previous forms of Japanese music.
SHAMISEN MUSIC
Puppet on the right side signifies
GOOD CHARACTER
bronze xylophone with resonance chambers beneath.
GENDER
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