R shoulder is toward the center of an imaginary circle.

Raise one arm overhead while other arm remains in 2nd position. Bring the heel of one foot to touch the instep of the other foot.

Raise both arms overhead in a graceful curve. Bring the heel of one foot to touch the toe of the other.

both arms are at one side, either sideward right or left, This may be done at shoulder, chest or waist level.

Cross the R (or L) foot in front of the L (or R), bend the body slightly forward and cross the hands (forearms) down in front with the R (or L) hand (forearm) over the L (or R). This is a Visayan term.

to bring down the foot forcibly and noisily on the floor (like doing a heavy step) with or without transfer of weight.

Raised arms to a circle in front of the chest Bring heels close to touch, toes apart

to put foot in a certain or desired position without putting weight on it. The sole of the foot rest on the floor.

the hand away from one’s partner, when partners stand side by side.

partners bow to each other, to the audience, opposite dancers, or to the neighbors

both advance forward, pass each other’s right (or left) side, step across to the right (or left), move backward without turning around pass each other’s left (or right) side to proper places. This is of foreign origin and is used in many Ph

to advance or recede by raising or moving one foot to another resting place. There is a complete transfer of weight from one to another

the foot not bearing the weight of the body.