This art form is live, ephemeral, collaborative, a synthesis of many other art forms; a mirror of life that is not necessarily an exact replica of the โrealโ world.
THEATRE
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15
A theatrical convention of realism, this is an invisible wall separating the stage from the spectators.
FOURTH WALL
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20
These are accepted codes of communication and interaction between performers and spectators for the duration of a performance that enhance storytelling.
THEATRICAL CONVENTIONS
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monster
Reset all scores!
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fairy
Take points!
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gift
Win 5 points!
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lifesaver
Give 25 points!
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25
A tradition of indigenous performance that evolved in Mesoamerica as a form of resistance during the colonial era; characterized by a precise representation of local color, costumes, and dialects.
COSTUMEBRISTA
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thief
Give points!
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magnet
Take 20 points!
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fairy
Take points!
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banana
Go to last place!
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thief
Give points!
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star
Double points!
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rocket
Go to first place!
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baam
Lose 25 points!
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20
The performerโs attempt to exploit the capacity of the spectator to identify emotionally with a character through a recognition of similarity.
EMPATHIZING
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20
This is a euro-centric theatrical tradition based on a written text, meant to be reinterpreted by different artists at different times and in different places.
TEXT-BASED TRADITIONS
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20
This is any theatrical tradition that preserves conventions of staging, music, dance, masks, and acting/characterizations passed down orally, generation-to-generation, rooted in the belief systems of tightly-knit communities.
PERFORMANCE-BASED TRADITIONS
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15
This type of dramatic structure has a main plot and several subplots; many characters; ranges over several different locations and time frames, such as weeks, months or years.
EPISODIC STRUCTURE
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15
This is a configuration of a theatre space where audience members sit on three sides of the stage that is a raised platform.
THRUST STAGE
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25
These are six forces underlying the diversity of todayโs theatre.
GLOBALIZATION; MULTI-CULTURALISM; INTER-CULTURALISM; POST-MODERNISM; POST-COLONIALISM; AND PERFORMANCE STUDIES
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20
The performerโs attempt to exploit the capacity of the spectator to relate to the characters and situations on stageย as different from themselves.
DISTANCING
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25
This is a late-20th century concept without a single definition. Generally, it argues that past truths are constructions by a dominant culture; it invites and opens up the possibility of new and equally valid forms of artistic expression.
POST-MODERNISM
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15
This is a style of theatre where the stage world is presented as a believable, alternate reality; where things happen much as they would in life and people behave in seemingly natural ways.